⎯⎯Publications⎯⎯


Selected academic articles, essays, and book chapters

Summers, Brandi T. and Moriah Ulinskas. 2025. “Archiving Oakland.” Places Journal, April.
Summers, Brandi T. and Juleon Robinson. 2025. “Black Geographies.” Pp. 159-170. In J. Winders and I. Ashutosh, eds. The Wiley Blackwell Companion to Cultural and Social Geography, Chichester, UK: John Wiley & Sons, Ltd.
Summers, Brandi T. 2024. “The Reparative Schematics of Housing in Zachary Levenson’s Delivery as Dispossession.” Critical Sociology 51(3): 601-604.
Summers, Brandi and Desiree Fields. 2024. “Speculative Urban Worldmaking: Meeting Financial Violence with a Politics of Collective Care,” Antipode 56(3): 821-840.
Summers, Brandi T. 2023. “Picturing the Textures of a Chocolate City.” Pp. 143-149. In G. Harris and A. Watson, eds. Evelyn Hofer: Eyes on the City, Delmonico Books/High Museum of Art.
Summers, Brandi. 2022. “Urban Phantasmagorias.” City 26(2-3): 191-198.
Summers, Brandi Thompson and Olalekan Jeyifous. 2022. “Apocryphal Gospel of Oakland: (Im)permanence, Improvisation, and Our Absurdist Future.” Perspecta 54: Yale Journal of Architecture.
Summers, Brandi. 2022. “Black Insurgent Aesthetics and the Public Imaginary,” Urban Geography 43(6): 837-847.
Summers, Brandi T. 2021. “Untimely Futures.” Places Journal, November 9.
Summers, Brandi T. 2021. “Aesthetic Activism and the Quest for Authenticity in a Time of Crisis.” Mediapolis: A Journal of Cities and Culture 6(3), June 14.
Summers, Brandi Thompson. 2021. “Race, Authenticity, and the Gentrified Aesthetics of Belonging.” Pp. 115-139. In C. Lindner and G. Sandoval, eds. Aesthetics of Gentrification: Seductive Spaces and Exclusive Communities in the Neoliberal City, Amsterdam University Press.
Summers, Brandi Thompson. 2021. “Reclaiming the Chocolate City: Soundscapes of Gentrification and Resistance in Washington, DC,” Environment and Planning D: Society and Space 39(1): 30-46.

Summers, Brandi Thompson and Kathryn Howell. 2019. “Fear and Loathing (of Others): Race, Class, and Contestation of Space in Washington, D.C.” International Journal of Urban and Regional Research 43(6): 1085-1105.
Summers, Brandi. 2017. “Race as Aesthetic: The Politics of Vision, Visibility, and Visuality in Vogue Italia’s ‘A Black Issue.’” QED: A Journal of GLBTQ Worldmaking 4(3): 81-108.
Summers, Brandi. 2019. “‘Housing is a Natural Right, Not a Privilege’: Anti-Gentrification Activism in a Chocolate City.” The Funambulist 22, March 4:12-14.
Summers, Brandi Thompson. 2019. “Post-Apocalyptic Shine in the Afro-Future.” ASAP/Journal 4(2): 317-320.
Summers, Brandi Thompson. 2019. “‘Haute (Ghetto) Mess’: Post-Racial Aesthetics and the Seduction of Blackness in High Fashion.” Pp. 245-263. In H. Gray, S. Banet-Weiser, and R. Mukherjee, eds. Racism Post-Race: Culture, Critique, and the Color Line. Durham, NC: Duke University Press.
Summers, Brandi. 2019. “Crafting Selves: Elia Alba’s Supperclub and the Politics of Home(place).” Pp. 40-51. In S. Reisman, G. Bolster, and A. Nanda, eds. The Supper Club: by Elia Alba. Chicago: Hirmer Publishers.


Brandi T. Summers, Ph.D.
headshot images by Bethanie Hines
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